The relationship between young Beethoven and his short-term
mentor Haydn brings to mind both “inner” and “outer” critics and their impact
on creativity. Sponsored by the Elector of his native Bonn, in 1792 a 21-year-old
Beethoven set out for Vienna to study with the great composer Haydn, who was
his senior by almost 50 years. Anyone familiar with Beethoven’s early music
recognizes the profound influence of the older composer, but their relationship
was far from easy. For his part, Haydn seemed to find his junior colleague
arrogant and dishonest; no doubt, Haydn knew that Beethoven’s original wish had
been to study with Mozart. On the other hand, Beethoven seemed to vacillate between
experiencing his teacher as disinterested or else jealous of his talent. When
all is said and done, Beethoven seems to have suffered a creative dry spell
during his one year of study with Haydn. The works of his performed this
morning—a movement from his first piano sonata and some of his Bagatelles, Op.
33—have proven hard to date. Scholars surmise that he may have started work on
these pieces before his studies with Haydn, only to complete them afterwards. In
any case, he clearly sought some reconciliation with the older composer, when
he dedicated his first three solo piano sonatas to him.
This morning’s Music for Parting gives a taste of Haydn’s
own music—brimming with wit, and reminding us of the composer’s unending
nose-thumbing at the conventions of his time.
Elsewhere, references to Looney Tunes (Stay tuned, folks!) elicit
Chopin’s “Minute Waltz,” immortalized by that greatest of pianist Bugs Bunny in
the 1955 feature “Of Hyde and Hare.” Unitarian composer Edvard Grieg has a
quick turn, too, giving us a glimpse at a mischievous woodland troll in one of
his Lyric Pieces.
The CUUC Choir is represented in recorded form with Don Bessig’s joyous “Flying Free,” as if inviting us to soar unencumbered by nattering inner critics and other albatrosses.
The CUUC Choir is represented in recorded form with Don Bessig’s joyous “Flying Free,” as if inviting us to soar unencumbered by nattering inner critics and other albatrosses.
Read on for programming details.
Centering Music: Adam Kent, piano
Sonata No. 1 in F Minor, Op. 2, No. 1
II. Adagio
Bagatelles, Op. 33
II. Scherzo:
Allegro
III.
Allegretto
Ludwig
van Beethoven
Opening Music:
Bagatelles, Op. 33
Bagatelles, Op. 33
I.
Andante grazioso, quasi allegretto
Beethoven
Interlude:
Waltz in Db Major, Op. 64, No. 1 “Minute”
Waltz in Db Major, Op. 64, No. 1 “Minute”
Frederic
Chopin
Interlude:
Little Troll, Op. 71, No. 3
Little Troll, Op. 71, No. 3
Edvard Grieg
Anthem: CUUC Choir, directed by Lisa N. Meyer and accompanied by Georgianna Pappas
Flying Free
Don
Besig
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