I went to the hillside, I went to pray; I know the angels
done changed my name.
So begins the traditional African-American Spiritual “The
Angels Changed My Name,” heard this morning in an arrangement for solo piano by
the British-born composer of African descent Samuel Coleridge-Taylor. Franz
Liszt’s imaginative setting of the Catholic legend of St. Francis of Assisi preaching
to the birds follows. According to tradition, St. Francis was walking with his
companions, when he strayed off to preach a sermon to a flock of birds overhead.
So impressed with the power of prayer were the birds, that they listened in
rapt silence, and then flew off in all four directions, in the form of a
cross. The morning’s Offertory is a beautiful setting of two Cantigas de Santa
MarÍa by the twentieth-century
composer Federico Mompou. The Cantigas originated in the court of Alfonso
the Wise of Castile in the thirteenth century, and consist of over 400 hymns to
the Virgin as well as accounts of miracles attributed to Her. Elsewhere, the
CUUC Choir is on hand, with another Spiritual as well as the opening movement
of Benjamin Britten’s touching A Ceremony of Carols. Read on for programming
details.
Centering Music: Adam Kent, piano
Centering Music: Adam Kent, piano
“The Angels Changed My Name”
African-American
Spiritual, arr. by Samuel Coleridge-Taylor
“The Sermon to the Birds of St. Francis”
Franz
Liszt
Opening Music: CUUC Choir directed by Lisa N. Meyer and accompanied
by Georgianna Pappas
“Every Time I Feel the Spirit”
Traditional
African-American
Offertory:
Canción y danza No. 10
Canción y danza No. 10
Federico
Mompou
Musical Interlude:
Procession from A Ceremony of Carols
Benjamin
Britten
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