Spiritual resilience is embodied in a variety of ways in
this Sunday’s musical selections at CUUC. Following an incomparable career as a
barn-storming virtuoso pianist showman, Franz Liszt focused increasingly on
spirituality as he matured, eventually taking minor orders in the Roman
Catholic Church. The second of his “Two Legends” for solo piano relates the
tale of St Francis of Paola who crossed the Strait of Messina to Sicily
treading upon the waters, when he and his traveling companions were refused
passage in a commercial vessel. Liszt described the story in a letter to
Richard Wagner thus: "On his outspread cloak he strides firmly, steadfastly,
over the tumultuous waves - his left hand holding burning coals, his right hand
giving the sign of blessing, His gaze is directed upwards, where the word Charitas surrounded by an aureole lights
his way.”
J. S. Bach’s boundless Lutheran faith is on display in an introspective chorale-prelude arranged for piano by Ferruccio Busoni, and the poignant African-American Spiritual “Sometimes I Feel Like a Motherless Child” is performed as a set of variations for piano by Samuel Coleridge-Taylor. Finally, the morning’s Offertory speaks not to any overtly religious theme, but provides testimony of Ludwig van Beethoven’s imperturbable resilience in the face of the cruelest of disabilities. His Bagatelle in b minor is among his last works for solo piano—music written from a state of near-total deafness.
Read on for programming details.
Visit https://www.youtube.com/watch?v=_GcDsqkOcjI for a live performance of Liszt’s Legende No. 2 by Alfred Brendel.
Centering Music: Adam Kent, piano
Deux Légendes
Deux Légendes
II. St.
Francis of Paola Walking on the Waves
Franz
Liszt
Opening Music:
“I Call On Thee, Lord”
“I Call On Thee, Lord”
J.
S. Bach, arr. by Ferruccio Busoni
Offertory:
Bagatelle in B Minor, Op. 126, No. 4
Bagatelle in B Minor, Op. 126, No. 4
Ludwig
van Beethoven
Interlude:
Sometimes I Feel Like a Motherless Child
Sometimes I Feel Like a Motherless Child
Traditional
African-American, arr. by Samuel Coleridge-Taylor
No comments:
Post a Comment