Music intended to evoke associations with evolution is
featured this Sunday at CUUC. The Prelude and Offertory include works by
Beethoven and Mozart rich in variation technique, in which a simple musical
idea is developed through a series of permutations and elaborations. Unitarian
composer Edvard Grieg’s Bell Ringing is a surprisingly modern sounding
experiment in growing resonance out of chiming open fifths. Debussy’s Prelude La puerta del vino alludes to one of the
entryways into the famed Alhambra palace complex in Granada, Spain. The piece
develops increasingly complex patterns and layers of sonority over an habitual
Habanera rhythm in the bass. Read on for programming details.
Prelude: Adam Kent, piano
Bagatelle in E-flat Major, Op. 33, No. 1
Prelude: Adam Kent, piano
Bagatelle in E-flat Major, Op. 33, No. 1
Sonata No. 12 in A-flat Major, Op. 26
I.
Andante con variazioni
Ludwig van Beethoven
Opening Music:
Bell Ringing, Op. 54, No. 6
Bell Ringing, Op. 54, No. 6
Edvard
Grieg
Offertory:
Rondo in D Major, K. 485
Rondo in D Major, K. 485
Wolfgang
Amadeus Mozart
Interlude:
La puerta del vino
La puerta del vino
Claude
Debussy
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