In honor of Rosh Hashana, solo piano works by composers of
Jewish descent are featured on Sunday morning. Felix Mendelssohn’s Songs
without Words reflect the composer’s preoccupation with the unremitting
rhythmic momentum of much Baroque music overlaid with the long-breathed lyrical
lines typical of nineteenth-century Romanticism. George Gershwin’s Three
Preludes were originally part of set of five first performed by the composer at
the Roosevelt Hotel in Manhattan in 1926. The CUUC Choir is also on hand with a
traditional Hebrew text and the jaunty Fill-a Me Up! By Pepper Choplin. Read on
for programming details.
Prelude: Adam Kent, piano
Song without Words in E Major, Op. 19, No. 1 “Sweet Remembrances”
Song without Words in C Major, Op. 102, No. 2 “Tarantella”
Felix Mendelssohn
Three Preludes
I.
Allegro ben ritmato e deciso
II.
Andante con moto e poco rubato
III.
Agitato
Anthem: CUUC Choir
directed by Lisa N. Meyer and accompanied by Georgianna Pappas
Ha
Shalom*
Greg Gilpin
*Translation: Peace shall be for all the
world.
All the world shall be for peace.
Offertory:
Song without Words in Bb Major, Op. 67, No. 3 “Pilgrim’s Song”
Song without Words in Bb Major, Op. 67, No. 3 “Pilgrim’s Song”
Mendelssohn
Anthem:
Fill-a Me Up!
Pepper
Choplin
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